Film Comparison Reservoir Dogs and the Killing

direct by Stanley Kubrick and released in 1956, The cleaning has resonated through the long time as an influential and groundbreaking horizontal surface of a botched bank robbery told through the eyeball of each(prenominal) different characters point of view. The scenes are strategically organized out of order and lead the story through a maze of plot advance workforcets. Quentin Tarantinos source Dogs opened in October 1992 and draws many an(prenominal) influences and themes from Kubricks film. The unorthodox arrangement of scenes accompanied by meticulously crafted development of character side stories can be seen in twain(prenominal) features.Furthermore, these films subject matter both(prenominal) have to do with a planned burgle g ace awry resulting in the deaths of all save one character that is later apprehended by the authorities. The underlying themes also mirror one another(prenominal) instead seamlessly especially when it comes to trust and character conduct. all(prenominal) film does a fine job at gripping the audience in suspense until the last cut scene. In both films, there is the initial robbery plan that is presented to a small concourse of just aboutly thugs who dont ask alike many questions and would probably turn on one another in the blink of an eye.It becomes apparent quite soon into the opening of each film that something has departed or will go wrong at some point at the hands of a mole within the operation. Accidents, such as Reservoir Dogs failed robbery attempt itself, happen within both plots to make the stories move forward at a jarring rate. Each of the films directors were sufficient to take away any and all erudition of time outside of the movie experience and regenerate it with edge of your seat, non-linear plot installations. Above all, the distinct and groundbreaking writing from both films is what creates the sense of hyperrealism seen within both features.The language and direction used in Tarantinos mov ie pays homage to early film noir classics as well as films such as Martin Scorseses Mean Streets and even The Killing itself. The themes put up in The Killing can also be found quite easily within Reservoir Dogs as well. Stanley Kubricks film was released in the mid 1950s and has underlying tones that were most likely derived from the uneasiness of the solid ground at that time. Who to trust remains to be a big theme in the movie, especially later the group finds out that there is a abstract among the ranks.Reservoir Dogs plays off of this same notion and really makes an unapologetic example of how no one can be trusted, even when you truly believe in them. The Killing goes as far as to imply that, in the case of the window teller and his greedy wife, men should not trust women, especially when it comes to the subject of potentiality money in the pocket. They send out the nitty-gritty that you can unaccompanied trust one soul and one person only yourself. The eternal vindi cate that money cannot provide happiness becomes a come about theme in both films.Another theme seen in each movie suggests the idea that abandon creates null and negativity and eventual downfall. Considering the fact that some every main character in both films perishes by the end, just goes to salute the theme that tells us how violence met with more violence can only result in misery. There are many similarities between each of these films. Quentin Tarantino candidly speaks about how he wanted to create his own version of The Killing, and how he did exactly that with Reservoir Dogs.The pervasive amount of violence found in both films also becomes renowned when looking for parallels between the two. Reservoir Dogs is violent in many more scenes than The Killing and is also make full with much coarser language, but the sustained violence that occurs during the concluding 25 minutes of The Killing must sure have been something seldom seen by the public in the time of its r elease, especially the graphic bullet wounds seen in the faces of several fallen characters.In both films, violence is something that each character uses in order to get by, but by the end of each feature most of the characters have perished at the hands of someone else. This goes to show that even though the characters were intrinsically geared toward violence, they met their individual downfalls due to their own violent or suspicious actions.